It started with a tattered box...the making for FOR MEMORIES' SAKE

Today begins the first postings by Ashley Maynor on our film For Memories' Sake. (She's the director; I'm the producer.) Take it, Ashley.... It's Christmas 2005 and I've begun the crazy whirlwind of travel that results from being part of a Southern, Catholic family and a child of divorce. My grandmother, Angela Singer, who always gives the most unique (if utterly bizarre) gifts, often salvaged from garage sales or Dollar Store specials, surprises me with a tattered cardboard box. Within the box is a ratty paper bag, and within the bag a treasure trove: 79 3-inch reels of 8mm and Super8 home movies.

I had begged Angela for months to see if she could find her home movie collection, which I knew must have been buried in her house in Cheatham County Tennessee. What once housed nine children and all their things (most memorably for me: potato guns, slingshots, and dirt bike helmets) is now a cluttered mess of papers, mementos, newspaper clippings, and photographs that document time gone by and its slow, continual creep.

Having deciphered Angela's handwritten labels, organized the reels as best I could, and researched home movie transfer houses, I sent the films off in late 2006 for a low-cost telecine transfer. The films came back to me in digital form and I began to cut up and reconfigure these celluloid relics of time immemorial using a Macintosh Powerbook and Final Cut Pro.

After expressing such a fervent interest in the home movies, Angela keep digging and presented me, piecemeal over the next year, with more and more documents: over 130 VHS-C tapes of home video, dozens of photo albums from the 1990s, her latest photographs on CD-rom, baby books, photo collages, and so on. In sum, what began as a modest attempt to preserve a few precious films turned into an unexpected discovery of the immensity of Angela's film and photo stockpile and an involved (if unintended) campaign to protect and preserve as much of her archive as possible.

My next post will discuss how I learned (taught myself, really) to preserve Angela's "archive" and how I began shaping this raw material into something that I could use to create For Memories' Sake.

New Final Cut Studio released: Yawning and Gnashing of Teeth Ensue

Apple announced a major (i.e., "you have to pay for it") Final Cut Studio upgrade yesterday. It doesn't have a flashy name like "Final Cut Studio 3" or anything like that. They're just calling it Final Cut Studio. Kinda like The Velvet Underground calling their third album... The Velvet Underground. As most readers know, I'm a fan of Final Cut, so it's a big deal to me when a major upgrade of the software is released. This new FCS has a lot of changes and new features. Like the upcoming Snow Leopard operating system many of the new features strike me as time-savers, not game changers. But after looking over the changes....I'm a little underwhelmed. Are there improvements? Sure. Am I going to stand in line for this release? No.

Disappointments? Sure. The biggest one is that there is still no fix for QuickTime's gamma problems. (Google page count for: quicktime gamma problems: 3.2 million.) Supposedly the gamma problems will be fixed with the release of the Snow Leopard later this year (and, honestly, that's probably the better place to address it -- system wide). But it is distressing that it's not even mentioned in Apple's 66 page "product overview" discussing the new Final Cut Studio features.

Another disappointment -- and one I've come to expect: DVD Studio Pro is not upgraded whatsoever. For anyone counting, DVD Studio Pro hasn't had a true upgrade since 2005. Obviously, this means no Blu-Ray support.

The kicker?

Compressor now includes a setting that allows you to create Blu-ray–compatible H.264 files that can be imported directly into third-party Blu-ray disc authoring software.

So, Apple, you want me to buy Final Cut Studio so that I can compress footage and prepare it for Blu-Ray burning... but you want me to buy some other company's video software suite so that I can actually author a DVD that takes advantage of Blu-ray's capabilities? Sigh. Thanks a lot.

It's no secret that Apple's business model (e.g., iTunes store, Apple TV, etc.) is built around the premise that DVDs will soon be dead. Maybe they will, maybe they won't. But one way or another this is the clearest indication I've seen that DVD Studio Pro is marked for death. It makes you wonder why they even bother including it with FCS.

**

For a brief list of the changes, here's Apple's webpage regarding the new versions. If you want the full 66-page overview of changes, Apple has a PDF for you.

How to make a screenings map with Google

After my recent post, which mapped out the past and upcoming Quick Feet, Soft Hands television screenings, some folks at ITVS asked if I wouldn't mind sharing how I made the map so that they could encourage other filmmakers they work with to do the same. Though I'm far from the first person to do this sort of thing, I was, of course, happy to oblige. It's a great way to visually communicate with your audience about when and where they can see your work.

How to create a screenings map using Google Maps:

1) You'll need a Google account, like a Gmail account. If you don't have one, sign up for one.

2) Once you have logged into your Google account, go to Google Maps.

3) In the upper left hand corner, click on "My Maps", then click on "Create new map."

4) A new window area appears on the screen.

Title the map, and describe it. Obviously, you can make this map for TV screenings, festival screenings, a theatrical release, whatever. For my television screenings, here's what I wrote:

"Quick Feet Soft Hands" TV Screenings Upcoming and past screenings for "Quick Feet, Soft Hands."

In some cases, the film will be showing on multiple streams (i.e., regular and Hi-Def), so double-check with your local listings to confirm the details listed here.

If the film is not available in your area, contact your local station to request it.

To find your local station, visit: http://www.pbs.org/stationfinder

For more information on "Quick Feet, Soft Hands" visit: http://www.lovellfilms.com or search "Quick Feet Soft Hands" on Facebook.

5) Immediately under the text box where you'll type your description, select whether you want the map to be PUBLIC or UNLISTED. You may want it unlisted while you develop the map. Then, when you're done, make it public.

6) Now, start adding your screenings:

Begin by searching for a venue (say, a film festival or television station) in the Google search bar at the top of the screen.

a) If it shows up on the map, click on the link and a small "dialogue bubble" will appear. In that bubble click on "Save to My Maps."

Follow the prompt and select the name of the map you're creating.

Clicking "save" will make a new "dialogue bubble" appear. Here you can add information of your choosing. For my "Quick Feet, Soft Hands" map I added the screening date(s) and time(s) for each station.

This is also where you can choose the icon you prefer. I went with some blue thumbtack looking icons. There are several to choose from -- you can even make your own.

b) If searching for the venue does not produce the results you want, you'll need to add the venue yourself. Start by finding the approximate location on your map for the venue, then click on map "pin" in the upper left hand corner of the map. This will change your cursor into a "pin" which you can then place where you like.

Once it's placed, click on it again to add information. (See 6a above for instructions.)

7) As you add your venues, be sure to intermittently save your map. Saving is accomplished by clicking on the "Save" button to the left of the map.

8 ) If you haven't already done so, make your map public by selecting the "Public" radio button after it's done.

9) Finally, you need to share it! To get the URL of your map, click on the "Link" button in the upper right hand corner of the map.

This will show not only the URL for your map (which you can email to all of your fans and supporters), but also the HTML code so that you can embed the map in other web pages (like a blog).

Enjoy!

NOTES:

- If you wish to allow others to edit your map, you can click on the "Collaborate" link near your map's title.

- If you wish to add other venues after later, just log into your Google account, select "My Maps", choose the map that you want to edit, and click on the "Edit" button. Remember to save your work.


View "Quick Feet Soft Hands" TV Screenings in a larger map

Two Macintosh Productivity Apps

Here are a couple of useful Macintosh tools to help you stay focused while working at your computer writing, editing, or doing anything else that requires concentration. Isolator: I've been using this application on and off (literally) for a year. As its creator describes it, Isolator

will cover up your desktop and all the icons on it, as well as the windows of all your other applications, so you can concentrate on the task in hand.

Freedom: James M. Johnston recently tipped me off to this cool little Mac application. According to its website, Freedom

is an application that disables networking on an Apple computer for up to eight hours at a time. Freedom will free you from the distractions of the internet, allowing you time to code, write, or create. At the end of your selected offline period, Freedom re-enables your network, restoring everything as normal.

pCAM for iPhone

David Eubank's pCAM and pCINE were great applications for the Palm OS. They helped you compute depth of field, hyperfocal distance, angle of view.... Together, they were like a computerized version of all those charts in the American Cinematographer's Manual that you always referred to on set. Now, Eubank has outdone himself with pCAM for iPhone, which combines the pCAM and pCINE applications in a new interface. If you have an iPhone and you shoot film or video, this is a supremely useful tool. At $39.99 it may seem pricey for an iPhone app, but in my opinion it's well worth the price.

pCAM for iPhone [iTunes store link]

Inauguration Day

Watching televised coverage of the inauguration, instead of being there, is probably like watching Dick Clark on New Year's Eve instead of standing in Times Square. The difference, of course, is that today's party is so historic that you might actually want to tune in. With just a few hours until the main event, here's Lifehacker's Guide to Catching the Inauguration from Anywhere. After reading this, you'll be able to tell your grandkids, "I remember the day President Obama was elected... I watched it on something called an iPhone."

Self-Reliant Film on Facebook

Via the new "network blogs" tool Self-Reliant Film can now be seen on Facebook. If you're on Facebook, click the link above and join the page. In addition to seeing some of the other readers of SRF, the SRF feed will start broadcasting on Facebook as soon as a four more readers (like you) join up and confirm that I am, in fact, the author.

iPhone Film Calculator application

The folks at 2.1 Films have just released an iPhone Film Calculator. From the description:

Film Calculator has three basic functions:

Length & Time Converter: This function allows the user quickly convert length to time and vice versa for a variety of film stocks and speeds. Choose from Super-8mm, 16mm, 35mm or 70mm stocks and preset frames per second rates (12, 24, 25, 48) or enter your own. Then enter the time and you'll get the length or enter the length and you'll get the time.

Hard Drive Storage Calculator: Select a format and enter a time and this function will tell you how much hard drive storage space you need. Dozens of formats are included. Contact us to request more!

Script Supervisor's Assistant: This function provides a stopwatch that counts both time and length. Select the stock and frame rate and then operate this like a regular stopwatch. Saves scripty's from having to use a calculator at the end of each take. Always know exactly how much you've shot on a reel!

Read more about it here. Buy it (for $2.99) here.

Production Boards and EP Scheduling with Chris Cobb

Assistant Director Chris Cobb has two sets of tutorials up on Expert Village that are worth a look. The first is a tutorial on setting up a script production board. If you've never done a script breakdown, you'll want to check it out.

The other tutorial demonstrates how to use EP Scheduling, the industry standard software for film shoot scheduling. Granted, EP Scheduling is not cheap ($499 msrp), but film school students may have access to it or may be able to afford the academic version (around $145 online), hence the linkage.

Peter Broderick's "New World"

This was originally pub'd in indieWire and is getting some linkage, but I've got to link to it too, as it's an astute piece on old and new distribution. Some of it is common knowledge by this point, but it does feel more up to date than Mark Gill's "sky is falling" speech a while back. Why?

Mark’s keynote focused on the distributors, production companies, studio specialty divisions, and foreign sales companies that dominate independent film in the Old World. Mark has many years of experience in this world. He was President of Miramax Films, then head of Warner Independent, and is now CEO of the Film Department. He sees things from the perspective of a seasoned Old World executive.

I see things from the filmmaker’s perspective. For the past 11 years, I have been helping filmmakers maximize revenues, get their films seen as widely as possible, and launch or further their careers. From 1997 until 2002, I experienced the deteriorating state of the Old World of Distribution as head of IFC’s Next Wave Films. After the company closed, I discovered the New World of Distribution in its formative stages. A few directors had already gotten impressive results by splitting up their rights and selling DVDs directly from their websites.

Read Welcome to the New World of Distribution.

Matte Box and Filters - An Intro

It's a few days old, but B&H Photo/Video has a nice introduction to Controlling and manipulating the light (that enters the lens of your camera). The article describes the functions of a follow focus, mattebox and filters. If you're convinced you need these tools after reading the article, you might check out DV Magazine's Matte Box Roundup and Follow Focus Shootout, two fine articles by FresHDV's Kendal Miller and Matthew Jeppsen.

Making a Fullscreen Video Loop for an Installation (or Kiosk) Using Automator

UPDATE: Spring 2013.  SRF reader Jessica Barr corresponded with me in 2012 about how users of more recent versions of the Mac OS (10.6 and higher) might have issues with the Automator script below because QuickTime 7 is no longer the default movie Mac OS movie player. Jessica kindly revised the automator script and offered it to me so I could share it with you. Download it here: Revised Automator QT Movie Loop script

(By the way, from my limited testing, it appears you still need QT Pro 7 -- which is still sold as of May 2013 -- to run this script. Quicktime X, or whatever it's called, can loop, but you can't save a movie as one that loops. And Automator's loop instruction in its "play movie" actions don't work reliably. )

Read on for the full instructions.....

Original Post from 2008:

Apologies for the long post title. This is to help anyone searching for such a thing on the internet.

This post will explain how to create a video that plays full-screen and loops repeatedly on a Mac. Looping full screen video is useful for, among other things, kiosks and video installations. If you want to cut to the chase and learn how to do this, skip down. Otherwise, I'll offer a few words explaining the reasoning behind what I did.

Ashley Maynor and I recently put up a small video installation near the offices of the Arts Council of the Blue Ridge. The installation was done as a gratis piece of temporary public art, so we needed to keep the budget as small as possible.

In our case, this was a three channel installation -- that is, we had three different videos playing simultaneously on three different screens. The screens were going to sit next to each other, so we wanted some uniformity in presentation. Video projection wasn't an option -- the space was too tiny for projection. (It's basically an empty downtown shopwindow.) So we needed televisions or computer screens.

We didn't have three identical televisions, but I did have three identical old semi-working iMacs sitting in a "junk" closet at Virginia Tech. So I borrowed those.

Regardless of whether you use a television with a DVD player, or a computer and its video monitor, for this sort of thing you might burn a DVD that loops. That's a perfectly fine solution, but the DVD player on one of the iMacs was broken. Also, there might be solutions out there for having a DVD player and television power up and down automatically, but I know it can be done (and know how to do it) with a computer.

So how to do it?

I decided to create a simple Automator application that could be used to automatically screen a QuickTime movie in full screen mode when the computer was booted. I also automated the startup and shutdown of the computers so that the installation runs during prime hours downtown, saving power in the wee small hours of the morning. Details on how to do this after the jump.

A note for anyone creating a kiosk: If you're creating a kiosk (i.e., something where people will be able to touch the computer), you'll either need to take the keyboard and mouse away from the computer or you'll need a kiosk application if you don't want people exiting out out of the fullscreen player. WebXkiosk is one such application, and it's free. I have never used it, and I didn't try on this occasion because our computers were going to be behind a glass case in a shop window.

***
To make the loop using Automator you'll need QuickTime Pro. If you have Final Cut Studio, you already have this. If not, you can buy QT Pro for $30.

1. If you haven't already made one, create a QuickTime movie of the movie(s) that needs to be screened. Do this in Final Cut Pro or whatever you want. Once you've created that, open it in QuickTime (if it's not already open).

2. In QuickTime select VIEW --> LOOP. This will play your movie on a continuous loop. If "Loop" is greyed out you probably don't have QuickTime Pro.

3. Now select FILE --> SAVE AS... to save the new "looping" movie. When saving -- this is important -- save the file in your Movies folder. If you're like me, you don't usually save movies there, but you must do it this way or it won't work. Then QUIT QuickTime.

4. Download the Automator QT Movie Loop script that I have already created. Actually, download the revised one found at the updated beginning of this post, unless you're running an old (10.5 or lower) version of Mac OS on your computer. In that case, download the link that has been struck through here.)

5. After the file downloads, double click on the script, which will open Automator. On the right, under "Get Specified Movies", click on the "+" button. A window of all the movies in your Movies folder appears. Select the looping QuickTime movie you just created. (Note: Alias files will not work. You need the actual movie flie in the Movies folder.)

6. Now, in window #2 ("Play Movies") , select, "Movie Playback Size: Fullscreen". Leave the other options the way they are, unless you want to show the movie on a different display, in which case you choose the option you want. You'll see that there's also an option for "Loop movie sequence X times." I found that this wasn't nearly as reliable as simply saving your QT movie with the Loop setting as we did in step 2. So you can leave the "Loop movie sequence" checkbox unchecked here.  (This information is no longer relevant with the latest Mac OS and the updated Automator script referenced at the top of this post.)

7. Click the "Run" button in the upper right hand of the Automator window. Your movie should now open, play, and loop. If it doesn't automatically play, you may want to check your QuickTime preferences to make sure "Automatically play movies when opened" is checked. When done confirming that it works, hit the "Esc" key to exit out of fullscreen.

Assuming everything works ok, you're ready to make this an application.

8. In Automator, select FILE--"SAVE AS... When the save dialog box appears, select FILE FORMAT: APPLICATION. (The default is usually "workflow.") This saves your Automator workflow as an application that, when you double click it, executes the script. Then name the file something like "[mymoviename] Automated Loop" and save it.

9. Quit Automator, locate the "[mymoviename] Automated Loop" application you created, and double click. The QT movie should open into full screen and loop over and over.

Bonus points: Having your computer startup and play the movie immediately.

10. If you want a computer to play your movie in full screen the minute it starts up, go to your computer's System Preferences, select ACCOUNTS and then select LOGIN ITEMS. Add your new Automator application (the file you created in Step #8). If you have other applications set to launch on startup you may need to remove those. Also, make sure your computer is set to log into that user account automatically, bypassing the need for a password.

11. To be on the safe side, I disabled screensaver and sleep modes on the computer. Do this in System Preferences -> ENERGY SAVER. Drag both of the sliders to "Never."

12. Finally, if you want to schedule your computer to startup and shutdown at specific times, while in ENERGY SAVER, click on the "Schedule..." button. This will allow you to set the startup and shutdown times for the computer. If you want your computer to run non-stop, skip this step. You can also set your computer to automatically start up after a power failure in Energy Saver prefs.

That should be it. Happy looping.

 

 

The Conversation... with Scott Kirsner

Though this website is a direct result of my belief that new technologies are reshaping filmmaking, as well as the relationships that filmmakers have with their audience, I rarely write about the intersections between cinema, the web, gaming, and business. One the reason I don't is because there's already someone that does that much better than I could. His name is Scott Kirsner. A journalist by trade, Kirsner is the author of "The Future of Web Video: Opportunities for Producers, Entrepreneurs, Media Companies and Advertisers", the editor of CinemaTech (his must-read blog) and a contributor to publications as diverse as has also contributed to Variety, Wired, Salon.com, and BusinessWeek, among others.

Recently, Kirsner announced a new event to be held this fall in Berkeley, called The Conversation.

The Conversation

 

Billed as "a gathering... intended to explore the new business and creative opportunities emerging in 2008," The Conversation is "targeted to media-makers and technologists who want to understand and help shape the future of the entertainment industry."

If the list of organizers and "conversation leaders" is any indication, The Conversation will be well worth sitting in on.

In anticipation of the event, Kirsner and I exchanged a couple of Q+A emails. I thought I'd share this (lowercase "c") conversation with you:

**

Your journalism has covered motion pictures, new technologies, the internet, and the intersections of all of these overlapping worlds. But I've, at least, always thought of you as a journalist -- someone that reports, someone that analyzes. With The Conversation you're an instigator, a participant.

I'm really interested in innovation, and how new ideas get introduced to the world. It's fun to write about that, but it's also fun to bring together people whom I've met in my journalistic travels, and get them talking to each other -- in person. All kinds of cool sparks fly. That's what we aim to do with The Conversation. I'll be there to ask questions and instigate, sure, but I also expect that our participants will do a lot of that, too.

How did The Conversation got started (no pun intended)?

There were two dynamics, really, that led to its creation. One is that a lot of times at film festivals, the discussions about new technologies, new tools, and new business models wind up as a side-show to the main event, which is watching movies. We wanted to do something where mapping out the future and getting up to speed with what other creators are doing would be the central purpose. The second dynamic was that there used to be this great event that happened twice in Montreal, called Digimart. Lance Weiler, Peter Broderick, Tiffany Shlain and I all spoke at the second Digimart a few years ago. It was a great gathering... but it didn't continue after 2006, and we wanted to keep its spirit alive and take it to a new geography.

One of the things the website says is that The Conversation is "definitely not a conference." Why make the distinction?

Conferences, to me, are about listening passively. They're often sold out to sponsors, which means they don't serve the participants very well. They tend to feature the same old speakers delivering the same old PowerPoint presentations. We're trying to avoid all that, and simply host a high-energy conversation among people creating change in the entertainment industry.

If you could only ask one question to all the people that will be attending -- the presenters and the registered attendees -- what would it be?

How is your relationship with your audience changing? That's a topic I'm obsessed with right now -- I think that some of the biggest changes over the next 10 years in TV, film, video, and games are going to revolve around that relationship between creator and audience.

 

**

The Conversation unfolds October 17-18 in Berkeley, California. Visit the website for more information and to register.

iPhone WebApps for Filmmakers

iPhone 3G is being released today. If you are submitting to the mania, or already have a (non 3G) iPhone, these web apps are for you. I'll do a version of apps from the iPhone apps store at some point. Until then, enjoy these web apps on the set or off... All descriptions are pulled from Apple's iPhone web apps site.

ON THE SET

Power Load Calculator Allows you to calculate the load on a particular circuit when certain devices are plugged in. For example, you can calculate whether or not the circuit breakers in a location can handle the lights you want to use and if not, the size of the generator that needs to be hired. This sort of thing is better discovered during pre-production and not on the day of shooting, so this calculator is very useful in that regard.

Depth of Field Calculator This tool will calculate the depth of field for a given sensor or film type, aperture, focal length, and subject distance (the distance from the camera to the person or object you are focusing on). A lower number means that a large proportion of the background will remain in sharp focus and a higher number means that a smaller proportion (if any) will be in focus.

Footage Calculator Enables you to calculate the amount of disk space required for various video codecs at varying frame rates. It offers an easy-to-use interface that allows you to quickly and easily view the required information whilst on the move - perfect for those awkward on-the-spot questions from clients.

Film Rate Calculator Calculates the relationship between film reels and shooting time. Use this calculator to work out how many rolls of film are required for a certain shooting ratio, or alternatively calculate how many minutes have been shot for a certain number of rolls. This is a useful tool for any script supervisor or producer.

Red Footage Calculator For Red users. You select your resolution, frame rate, Redcode, aspect ratio, and amount of footage. The calculator tells you how much disk space is needed. Cool.

Weather Underground The Weather Underground, now on your iPhone. View current conditions, animated radar, forecasts, and severe weather alerts. [Note: Not to be confused with the radical leftist organization of the 1960s-70s or the Sam Green documentary of the same name.]

Sunrise & Sunset This applications helps to calculate the sunrise and sunset times for each location in the world on each day of the year. Enjoy planning your next holiday, trip or photo session where ever and when ever you want to go. Just click on the location, choose date and timezone and optionally add 1 hour daylight saving.

The Weather Channel The Weather Channel for iPhone delivers current conditions, hourly and 10-day forecasts, severe weather and maps in a fully interactive environment. [Note: I prefer the Weather Underground web app's interface to this one from the Weather Channel, but some will prefer this one.]

Stormchaser Cloud Reference Chart An on-the-go webguide to common cloud shapes and patterns and what they mean to the stormchaser or weather buff who wants to predict the coming weather via cloud formations.

OFF THE SET

IMDb iPhone Client Web interface with support for looking up actors, characters and movies. The client also helps you find trailers that are suitable for viewing on the iPhone and view additional information such as: Goofs, Soundtracks, Trivia, Quotes, and Crazy Credits.

Fandango Movie Showtimes and Tickets Buy movie tickets on the go with Fandango. Access showtimes, read movie details and reviews, find theater info, and get maps - all on your iPhone or iPod touch!

Moviefone for iPhone Give us your Zip Code and we'll give you the world -- of movies. Find Movies and Showtimes near you, as well as Upcoming Releases, our Top 20 Movies list, and Top iPhone Trailers.

iNetflix An iPhone Netflix client. It will let you see your queue, whats at home, recommendations and new releases.

The Cut List The Cut List displays a list of movies from the top 100 DVDs to new releases from your favorite online movie rental store.

EDIT (7/11/08 @ 12:30): iPhone App Store is open

©opy®ight: A Few Helpful Links

U.S. Copyright Office - Copyright is a kind of intellectual property monopoly. And if it was intellectual property Monopoly, this site would be "Go." Translation: Start here.

How to Register a Work - This site takes you to eCO, where you can file a copyright registration for your work through the Copyright Office online system.

Public Domain(?):

Stanford Copyright Renewal Database - Allows you to search for whether a work is still under copyright or not.

Copyright Term and the Public Domain in the United States - A chart to help you understand the labyrinthine laws regarding when a work will fall into the public domain. The chart is available as a PDF.

Fair Use:

Documentary Filmmakers’ Statement of Best Practices in Fair Use - If you are a documentary maker you should know this up and down.

Code of Best Practices in Fair Use for Online Video - Like the Documentary Best Practices, this is something to know and learn.

Center for Media and Social Impact: Fair Use Library - A must.

Creative Commons:

Creative Commons - Where to go if you want to give it away, legally speaking.

Resource pages and other links:

Stanford University Libraries: Copyright & Fair Use: Charts and Tools - A great page of links.

Cornell University Copyright Information Center: More great links.

EDIT (7/9/08): This post was accidentally deleted. I think I've restored it pretty completely, and added some more links in the process.

EDIT (9/29/16): Fixed some broken links.

EDIT (5/21/23): Fixed some broken links.

Celtx 1.0

Celtx, the free screenwriting/pre-production software, just launched its 1.0 version. According to the press release, new features include: 

    1. Adapt To - a single click now converts a fully formatted script of one type into a fully formatted script of another - for example a Stageplay to a Screenplay - displaying instantly the multi-media potential of your work.

    2.  Comic Book - a new editor to write properly formatted Comic Books, and a common framework for collaboration between writer and artist.

    3.  iPhone - now view your Celtx projects from just about anywhere with a display optimized for your iPhone.

    4.  Catalogs - a new organization and searchable dashboard view of all your story's elements and production items.

    5.  Sidebar - annotate and break down each scene with notes, media (images, audio, and video clips), and production items through an easy to manage, thoroughly upgraded new sidebar.

    6.  Project Scheduling - has been vastly upgraded to fully integrate with the script breakdown and provide a Call Sheet and a host of new shooting reports.

    7.  Storyboarding - you can now choose from a variety of ways to view and manage your images, create a storyboard outline based on your script, and add shot descriptions to each image.  

I'll try to dig into this in the next few weeks and give a report. But first, I've got about 500 emails to reply to and some bags to unpack from my European travels.

Red One - Information Page

I've read a lot of stuff on the web in my efforts to educate myself about the Red One digital cinema camera's new approach to motion picture image capture and its workflow. Below are some of the better resources I've encountered. If I've left off something helpful, let me know in the comments.

***

COMPANY WEBSITE

    Red Digital Cinema Camera Company

RED DISCUSSION FORUMS

    Reduser.net The Red company-sponsored site.

    Creative Cow Red Forum Mostly oriented around Red post-production workflow.

    Cinematography.com Red Forum Lots of skepticism and passionate disagreement about the Red here.

    DV Info.net Red Forum Infrequent posting; lots of overlap with reduser.

WIKIS

    Redhax.net: a wiki for Red users. Very incomplete, but useful in spots.

    Wikipedia:Red Digital Camera Company entry

RED: BASICS

    Octamas.com: Red One user menu guides

    FresHDV: "All Things Red" - another links listing

    Creative Cow: Dress for Success with RED

    Creative Cow: Shooting with RED: Testing, testing...

SHOOTING RAW:

    ProLost: Exposing to the Left vs. Exposing to the Right

    Pro Lost: Digital Cinema Dynamic Range -- an epic post

    Pro Lost: Digital Cinema Dynamic Range [abbreviated version]

    Reduser.net: Thread on Working with RAW

    Bealecorner: John Beale's camera tests

WORKFLOW:

    American Cinema Editors: Podcast discussion for A.C.E. members about the workflow for Red with Avid and Final Cut Pro.

    RedHax Wiki: Footage Protocol on Set

    RedHax Wiki: Footage Conversion

    Editors Lounge: Handling Red One in Post-Production [link to page with pdf file]

    Coremelt: Red Camera 10-bit Color Online Workflow with FCP 6.0.2

    PVC: Working with Red Footage

    DV Magazine: Posting RED

    Scott Simmons' Editblog: posts tagged "red"

    Indie4k: Red Workflow posts 1 and 2

    Pro8mm: Red & Super-8 Telecine (!)

ONLINE TUTORIAL/DEMO VIDEOS

    Wonderhowto: Learn All About the Red One Camera - 12 videos!

    Studio Daily: Shooting Red

    Studio Daily: What You Can Do with Red Alert

    Studio Daily: Final Cut Pro - Red Workflow

    Studio Daily: Edit RED Footage in Avid Media Composer

    Studio Daily: RED / Avid Workflow

    Studio Daily: Maintaining Red Metadata to Avid

    Studio Daily: Assimilate Scratch / Red Workflow

    FX Guide TV: Workflow with Red Episodes 1 and 2

Official REDCINE Training Videos

    Interface Overview Project Settings Shot Settings Color Settings Output Settings Library

FOOTAGE

    Red Relay Repository of Red One footage.

PODCASTS

    RedCentre @ FX Guide Weekly podcast on all things Red from FXGuide.

RED 3rd-PARTY SOFTWARE

    Crimson Workflow FCP round tripping application.

    RedTrip Essentially an early, free version of Crimson Workflow.

    Red Portal Allows you to double-click R3D files to open in RedAlert!

    AliasRDC Helps with footage conversion (see http://www.redhax.net/wiki/Footage_Conversion).

    MetaCheater Allows MetaData use in Avid.

    Spotlight Plugin for R3D Files Lets you easily find and identify r3d-files on your computer.

3rd PARTY ACCESSORIES

    Element Technica

    Sim Video

***

Some might ask why this site is posting about Red, considering it is, for many readers, a high-ticket item (especially when you add in the cost of lenses, support, etc.). My answer is that this is a site that's devoted to all forms of maverick filmmaking, including the invention of maverick filmmaking tools. By this standard, Red certainly qualifies.