Launched: The New Self-Reliant Film.

If you're looking at this website in anything other than an RSS reader you can probably tell that we've completely overhauled the website. Thanks to our wonderful designer friends at Nathanna, we've both expanded and simplified the Self-Reliant Film website.

As we mentioned a few weeks ago, our new look is based on some new directions for the website.

Today, with the launch of the new site you can do a few things that you couldn't do before:

 

Sign up for the email list. Our new email newsletter will have exclusive content we don't put on the blog. We’ll share tips on great films we’ve recently discovered, we'll provide some extra filmmaking tips, and you’ll get access to see our films for free. The newsletter is only sent once a month, we never sell or share others’ email addresses, and it’s ad-free. Subscribe!

 

Watch our films: Some folks that visit this site do so because they're fans of our films. Others visit the site because of the blog. If you've not seen our work, or you want to see our films again, or you want to see more of them… we've spelled out all the ways to watch.

The easiest and least expensive way is to sign up for the email list. But there are other ways, too. Find out more here.

Must reads: Look to the sidebar on the left. These are a few of the most popular posts on the site. Check them out if you're new here or if you've not read these. The Declaration of Principles was the first post on the blog, and it's still pretty much as relevant today as it was when it was drafted in November 2005.

 

Resources: If you click on "Resources" (look to the upper left of this page) you'll see some of the more helpful pages we've assembled for filmmakers (and everyone) since beginning the site. Over the coming weeks we'll be updating and expanding these pages.

 

Submission guidelines: We've always received emails from readers wanting us to watch and/or review our films. This has been done pretty much catch-as-catch-can in the past. We finally drew up some ideas about how to do this, as seen in the sidebar on the left. We want to review and put a spotlight on great films more than we've been able to recently. This is a way to encourage this. Click on the Submission Guidelines and and let us know if you've got a film you want us to watch.

 

What hasn't changed?

 

Our blog still features all the same stuff that we've championed and discussed from the beginning -- DIY, regional, and personal filmmaking. We've moved it to selfreliantfilm.com/blog, so update your bookmarks.

(If you bookmarked an old page from the blog it should automatically redirect to the new permalink structure, but if you encounter a broken link, let us know!)  

Finally, one other thing that hasn't changed: This site is still ad-free.

For us, self-reliance has always gone hand in hand with the idea of simplicity. While filmmaking is a vocation that often resists even our attempts to simplify the process of making movies, we feel the least we can do, sometimes at least, is keep our tiny corner of the internet quiet from flashing banners, pop-ups, and google ads buried within our own reflections. This website, like our films, continues to be a labor of love.

We hope you like the new site, and the things to come. If you do, spread the word by sharing with a friend by using facebook, twitter or, you know, by actually telling someone about it face-to-face.

New look and new directions

I mentioned recently on this blog that there would be some changes coming to Self-Reliant Film. Last year, Ashley and I began distributing three of our films on DVD to universities, libraries, and other institutions. In the process, we quietly formed Self-Reliant Film, LLC to serve as the banner under which those works were released. Now we're gearing up to make new films together under the SRF name. You'll be hearing more about those projects as they develop.

This blog has aimed to serve the DIY film community for over five years, and that won't change. If anything, we'll be trying to post more regularly and bring in new readers in the process.

As part of this new energy and direction for SRF, some of the changes are visual. One will be a redesign of this website. A quick look at this website's masthead reveals another change: a new logo (actually a set of logos).

Though the posterized John Cassavetes image has served this blog well since its beginning, as SRF has emerged as a production/distribution company, it didn't seem right to appropriate Cassavetes' image -- no matter how much we admire him and his work.

The new logo -- part of a family of new logos created by the wonderful designers at Nathanna -- suggests both the forested place we call home and where we make work, as well as the philosophy of self reliance.

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.

- Thoreau, Walden (Chapter 2)

Take the Survey: 50 States, 50 Filmmakers

I've been looking over Ted Hope's blog lately and one thing he keeps returning to is the idea that in order for cinema to be truly free (i.e., liberated), we have to do our part to help film culture. I agree.

That's part of what this blog has always been about. One of the reasons I began this blog was to champion filmmakers working regionally.

But now I'd like to undertake a concrete project specifically dedicated to spotlighting filmmakers that live around the country. To do that I need your help. Not a lot of help, mind you -- just a few minutes.

I'm calling this undertaking 50 States, 50 Filmmakers.

It will probably end up being a series of discussions with filmmakers working around the country. I hope to talk with others about why they live and work where they do, the challenges and opportunities they face, the resources available to them, and how they support their work. Ideally, these discussions will include links that allow you to watch or purchase their work. And I'd like to do one for each state, in case the title didn't tip you off.

So, to restate, to do this project completely, I need your help.

I want you to tell me who you think is living and making interesting films outside of New York or Los Angeles. The films can be feature films, documentaries, or short experimental works. I don't care. "Interesting" and "not-New-York-or-Los-Angeles" is all I care about.

If you want to nominate a filmmaking team or filmmaking collective, that's cool. I'm open to doing a few historical surveys, too, so if you prefer to nominate someone deceased (say, Eagle Pennell of Texas or Colorado's Stan Brakhage), go for it. I just want some interesting ideas.

So, without further ado, CLICK HERE TO TAKE THE SURVEY.

Don't know 50 filmmakers in 50 states? That's okay. I don't either. That's why I'm doing the survey -- to fill in some blanks and to get some good ideas for this thing. Just take the survey and give suggestions where you can. You don't have to provide nominations for all 50 states.

And please pass this along to your friends. I'd like as many people throwing out ideas as possible. I'm going to leave this post up for a couple of weeks, after which I'll start compiling replies.

Again, here's the link to the survey.

Self-Reliant Film v3.0

As a way to mark some changes at Self-Reliant Film, I've done a site redesign. I recently mentioned that Ashley would be making some posts on SRF to discuss her documentary, For Memories' Sake. This marks something of a shift in Self-Reliant Film. Though I'll still be the main voice of the site, I will no longer be the sole blogger here.

In addition to Ashley's posts, my hope is to invite a couple more filmmakers into the mix in the coming months. The aim in doing this is to cover more of the things happening in cinema today while providing a voice to some interesting filmmakers -- especially regional filmmakers -- working today.

Anyway, it seemed appropriate to clean up the website design to mark the changes.

While it's on my mind, here are some notes on the new look:

Though its aim was to tie-in to the imagery of the letterpress chipboard posters that I use for my films, I was never fully satisfied with the "chipboard" version of the site. So I've decided to go with a new, cleaner look that will (I hope) allow users to find information more easily.

The top SRF menu consists of static pages, and their "child" pages.

The lower menu features categories of "mega"-tags. Hovering over each one will bring up a category of tags used on the blog. And clicking on one of those will give you all the posts in that area. In some cases (like Films & Filmmakers -> Genres) there is a third layer of categories (in this case, "Experimental" and "Documentary").

The main idea is to make the content you want more easily findable. Let me know if you like it, or if you don't.

Oh, and in case you're interested, this site uses a WordPress template called "Thematic Power Blog" by Ian Stewart.

For Memories' Sake

The last couple of months have been pretty darn busy, so blogging has taken a backseat. I've been working on a few different projects -- some writing, a DVD of two short films, and some tests with a new camera. And I got married -- eloped to Walden Pond, to be precise. It's been good to have some downtime from the blog, but now I'm back.

I'll have some more information about some of these projects of mine later this summer, and I'll be making some changes (hopefully good ones!) to Self-Reliant Film as well. But for now, I want to announce the launch of the For Memories' Sake website.

For Memories' Sake is a new half-hour documentary directed by my wife, Ashley Maynor. I'm the film's producer and, though we're still in the latter stages of post-production on it, I have to say I'm about as proud of this movie as anything I've been involved with.

In the coming days, as we complete the movie and prepare it for distribution, Ashley will be blogging on SRF about some of the things that were involved in making the film. Until then, I encourage you to become a "fan" of the movie on Facebook and check out the aforementioned website.

Self-Reliant Film on Facebook

Via the new "network blogs" tool Self-Reliant Film can now be seen on Facebook. If you're on Facebook, click the link above and join the page. In addition to seeing some of the other readers of SRF, the SRF feed will start broadcasting on Facebook as soon as a four more readers (like you) join up and confirm that I am, in fact, the author.

Best Film List, By Alphabet (x 2)

Chris Cagle at Category D tagged me for the Alphabet Meme. Here are the rules:

1. Pick one film to represent each letter of the alphabet.*

2. The letter "A" and the word "The" do not count as the beginning of a film's title, unless the film is simply titled A or The, and I don't know of any films with those titles.

3. Thanks to some clarification by The Siren, movies are stuck with the titles their owners gave them at the time of their theatrical release.

4. Films that start with a number are filed under the first letter of their number's word. 12 Monkeys would be filed under "T."

5. Link back to Blog Cabins in your post so that I can eventually type "alphabet meme" into Google and come up #1, then make a post where I declare that I am the King of Google.

6. If you're selected, you have to then select 5 more people.

I have rejected Cagle's new guideline that with foreign titles one should "rely on the original title if in Roman alphabet, the translated title otherwise." This rule had me making even more tough choices than I wished, so I threw it out. I've cheated, in fact, by using foreign titles or translations whenever it helped with difficult letters, tough choices, etc. My guilt is nil.

And to make the choosing even less painful, I have created two lists: One satisfies the theme of this website, the other lists more general favorites. Of course, MANY of my favorite films -- a ridiculous number of them beginning with the letters "M", "T", and "G" -- are left off of both lists. And if a film got listed on one list, I tried to list a different film on the second list.

Ali: Fear Eats the Soul (Fassbinder) Black Ice (Brakhage) City Lights (Chaplin) Dance Party USA (Katz) Edvard Munch (Watkins) Frownland (Bronstein) The Gleaners and I (Varda) The Hours and Times (Munch) Isle of Flowers (Furtado) Jo Jo at the Gate of Lions (Sjogren) Killer of Sheep (Burnett) Last Chants for a Slow Dance (Jost) Meshes of the Afternoon (Deren) Night of the Living Dead (Romero) O Dreamland (Anderson) Pather Panchali (Ray) Les Quatre Cents Coups (Truffaut) Rome, Open City (Rossellini) Shadows (Cassavetes) Thirteen (Williams) The Unchanging Sea (Griffith) Les Vampires (Feuillade) The Whole Shootin' Match (Pennell) Xala (Sembene) Zorns Lemma (Frampton)

Harrill's list:

The Awful Truth Best Years of Our Lives, The Chinatown Diary of a Country Priest Eternal Sunshine of the Spotless Mind The Fly (Cronenberg) Grand Illusion The Hours and Times Isle of Flowers Jacquot Killer of Sheep Love Affair The Mortal Storm Night of the Living Dead Ordet The Parallax View Les Quatre cents coups Ruggles of Red Gap Starship Troopers Tender Mercies Unforgiven Vivre Sa Vie Woman Under the Influence Xanadu Yi yi Zero for Conduct

Finally, I want to hear from David Lowery, AJ Schnack, Darren Hughes, Alison Willmore, and Karina Longworth.

The Election: How Filmmakers Can Help

If you're reading this, you're probably a filmmaker with access to a video camera. Video The Vote needs people like you and me on Election Day. What's Video the Vote? From their website:

Video the Vote is a national initiative to protect voting rights by monitoring the electoral process. We organize citizen journalists—ordinary folks like you and me—to document election problems as they occur. And then we distribute their footage to the mainstream media and online to make sure the full story of Election Day gets told. Watch our 2006 highlights and join us as we Video the Vote this November.

If, like me, you find yourself in a swing state this year, you might feel like it's especially important to be a part of this.

It takes less than a minute to sign up, and you can volunteer for just part or all of Election Day. So get involved. And spread the word to your filmmaker friends.

Finally, if you're not sure why such an organization even exists, check out this interview between Bill Moyers and NYU professor Mark Crispin Miller. Warning: Viewing this will keep you up at night.

cicadas on PBS in New York, OR: How to Write a Press Release

Because of this website, I receive press releases on a daily basis from a multitude of PR firms. It's clear with many of them that the sender hasn't spent more than 5 seconds thinking about the audience for this website. Some of these are pretty unintentionally funny: My favorite media alert is probably the one about a re-recording of a jingle for canned beans by a Country music recording artist. But I digress. The point is, few notices get my attention. And even fewer do I end up writing about. When I receive a notice like the one quoted verbatim below, though, I try to act on it.

Why? Four reasons:

1) The thing being promoted sounds interesting.

2) The people that read this website might be interested in it too.

3) The thing being promoted sounds as if it could use my help as far as promotion goes. I tend to favor humble affairs, not stuff with a big advertising budget. (In case you hadn't noticed by now.)

4) The release sounds like it was written by an actual human being. You'd be surprised at how rare this is. Or maybe you wouldn't.

Oh yes, I'm sure Kat Candler's email breaks all sorts of "rules" about writing press releases. But I have noticed that there seems to be a direct correlation between points #1-3 and point #4. In the end, the result is that, Candler's email not only makes me want to see this movie -- it makes me want to tell others about it.

And in my book that's a press release that works.

cicadas 

cicadas Screening on PBS in New York Saturday, 7/19, 11:55pm Sunday, 7/20, 4:25am WNET, Reel 13 http://www.bside.com/films/cicadas

Long ago, I made this feature film called, cicadas. We shot it over the summer of 1999 in a tiny, tiny town called Bertram (population 835). We shot the film on a Canon XL1 back when mini-DV was brand spankin' new. Over 6 weeks, Thursdays through Sundays a cast and crew trucked out to the middle of nowhere Texas to make a story loosely based on a crush I had at age 16 on a skater punk kid.

The summer of 1999 was one of the best summers of my life. We had no expectations, no grandiose ideas of making it big ... we just wanted to make a feature film just to learn how to do it. And what came out of that little film was a family of friends, a super fun summer and a little movie that could.

The film went on to win some audience awards at festivals, get picked up for distribution and then dropped by distribution. And then picked up again for distribution.

If you have friends in New York who like to stay up crazy late or can record stuff to their VHS or DVD players, pass this along. It's fun to share your heart with people. Even if it's super rough around the edges and frayed along the hem line.

***

One other thing to note about press releases. For me, whether or not I write about something is also a matter of timing. Some days and weeks I'm slammed. Some days, a notice will come in and, if I've got a few spare minutes, I'll throw something up on the web. People that are paid to blog full time probably work differently, but that's how I roll.

As always, thanks for reading. And if you're a filmmaker, don't be afraid to see if I can cover your film. Just don't be hurt if I don't.

Links page updated

The links page has been updated for the first time in a few years. A few additions, a few subtractions (mostly broken links). Just a little housecleaning. Nothin' major. If you see something missing -- please, no shameless self-promotion -- let me know by posting comments.

Thx, The Management

ps. Comments are managed, so I'll probably just make the changes instead of posting the comment.